December 5, 2024
“Windstorm in Bubbleland”: When Gifted Kids Upset the Social Order by Kristin Cotts Gifted Kids Can Be Annoying Gifted children can be disruptive in the classroom and annoy their teachers and peers in many different ways. One of the most common complaints we hear from parents in our practice is that their child is disruptive because the work is too easy and they are bored. They don’t have enough to stimulate their minds, so they get into mischief. Other gifted children are disruptive regardless of the difficulty or ease of the work due to issues with regulation. Still others are disruptive out of frustration over not being able to demonstrate what they know. These are all just different manifestations of the same root problem. The gifted-child-is-disruptive-problem that interests me most was described in a 2008 study about how teachers subconsciously have a negative affect toward gifted children due to concerns around “the potential use of high intelligence toward social noncompliance” (Geake and Gross, 2008). In [early human] society where language was beginning to evolve…an individual with marked superiority in intelligence could have a superior understanding of the various relationships between members of the group and could thus be regarded as having the potential to affect, manipulate, exploit, or even distort the group’s social relationships (Geake, 2000) The individual who even seemed to show the potential to develop such powers could be viewed as a threat to the group. If so, then it could be in the group’s self-interest to cut such a precocious tall poppy down to size” (Geake and Gross, 2008). Geake and Gross posit that teachers and other students have a negative attitude toward academically gifted students due to an evolutionary social defense mechanism to protect the social order from those who might be able to dismantle it. Certainly, this kind of disruption can be problematic if it disrupts learning, but if a group of people do in fact have bias against neurodivergent children, then it’s clear that the social order needs to be challenged in that group. Fred Rogers and the Windstorm History, literature, and film are full of gifted truth-tellers, who are banished or otherwise punished. Elphaba in Wicked is the most contemporary example of this. According to the musical, the Wicked Witch of the West was actually a misunderstood animal rights activist with great power. One of my favorite gifted-truth tellers who upset the social order is Hildegarde Hummingbird. She shows up in what some might consider an unlikely place: an episode of Mr. Rogers’ Neighborhood from 1980 called Windstorm in Bubbleland. In addition to being a master of understanding child development, Fred Rogers was a composer and pianist. He wrote some operas for his children’s show using the immense talent of some of his neighbors in the cast. He was also, as we shall see, a semi-secret social activist. Windstorm in Bubbleland takes place in a utopia full of bubbles that glimmer and shimmer and float around for all to enjoy. “There is never any trouble here in Bubbleland,” Jim Reardon sings, looking like a cable news anchor, when cable news was just a glint in Rupert Murdoch’s eye. His newscast is sponsored by Spray Sweater, an aerosol in a canthat the company claims has the power to spray a sweater into existence “to protect your bubbles or to just wear.” Betty of Betty’s Better Sweaters (Betty Aberlin) points out that it’s a fraud, that sweaters must be knitted with skill and care, and that the cans are filled with only air. At this point the Lady Elaine puppet, playing the part of Hildegarde Hummingbird, flies in to announce that their bubbles are going to be blown away due to the overuse of the aerosol cans of Spray-Sweater, which is starting to create strong winds. When Hildegard tells the other characters that trouble is coming to Bubbleland, they dismiss her as alarmist. “But I’m just doing my job!” cries Hildegard, “Why won’t you believe me?” The three humans (actually two humans and one porpoise) line up and shout in unison, “Because we don’t want to!” Well, it turns out that the diabolical CEO behind Spray Sweater, named W.I. Norton Donovan (W.I.N.D) is the wind itself. He is very proud of the apparent success of his plan to blow the bubbles around while also making a lot of money selling Spray Sweater. He then transforms from business man into the wind, donning a long, shimmering cape and sprouting what looks like tinsel on his eyebrows and mustache. With an evil laugh, he threatens to finally send the bubbles flying out of Bubbleland. The humans and porpoise, played by opera star François Clemens in a bizarre porpoise suit with a giant zipper, realize that Hildegarde was right. They ask her for help, and she tells them that Bubbleland is not about the bubbles; it’s about the people who live there. She says: “You can blow more bubbles, but you can’t blow another you.” She agrees to help them and tells them to build a wall on the edge of the ocean. In a stroke of genius and intense skill, the also gifted Betty of Betty’s Better Sweater’s speed knits a net to enclose and stabilize a pile of crates, which act as a bulwark against the wind. But it is not enough. The wind hovers dangerously on the edge of the shore as the bubbles dance wildly. Hildegarde flies directly into the wind, driving the W.I.N.D. away. She is knocked unconscious and feared dead. The rest of the cast sings a lament. She wakes up, and the friends apologize. The final line of the opera is, “There will never be a trouble here in bubble land that we, good friends together, cannot end.” Transcending Victimhood In the context of child development and particularly the asynchronous development we see in gifted children, Windstorm in Bubbleland is a perfect parable for the non-normative person disrupting the social order. If we look at what HIldegarde Hummingbird has to go through to be true to herself, we can see parallels to the struggle and pain of a child who has the capacity to disrupt the social order for the better. Hildegarde has the gift of flight and the gift of being able to confront a hard reality (the disruption of bubbles) that others are unable to accept. They cannot fly to other places to see what is happening to the bubbles (though it seems like the porpoise should be able to swim there - I think that’s a plot hole). When they don’t believe her warnings, she self-isolates and feels misunderstood. She gives them another chance, and then when she saves the day, they accept her. It’s important not to look at Hildegarde as a victim dependent on others “believing her” and “understanding her.” In reality, her pain and struggle do not come from being rejected. The rejection is very real, but it is a symptom. Her fundamental problem is that she is not able to use her gifts to help others. Hidelgarde’s reward is not acceptance by the others. Her reward is the freedom to be able to use her gifts to contribute to the well-being of others. Developing friendships co-occurs with that process, but acceptance and friends need to be congruent with self to be meaningful. Accomplices in Disruption I believe that parents, educators, and counselors have an obligation to support a child’s disruption of the social order, which, by the way, is not the same as disrupting the classroom or the family. We can support them to develop social, emotional, and intellectual awareness so they they can develop skills in a way that fits them This process also requires the development of moral reasoning, because all social order disruptions are not created equal. If we simply focus on helping a child feel better about being different, we risk reinforcing their isolation. On the other hand, if we give them opportunities to learn how to both use their gifts and integrate into society, this complex and arduous journey can lead to an ability to activate potential and connect to others, creating change in the various systems and institutions along the way. Fred Rogers Was a Gentle Radical Fred Rogers was ahead of his time. His gentle demeanor masked a radical rebelliousness against the greed and self-absorption of modern society. More than thirty years before Occupy Wall Street brought the concept of corporate control to the forefront, he created a children’s opera about an environmental crisis, a deceptive news organization, and a greedy corporate boss. As an educational tool, Windstorm in Bubbleland is a shining example of how to combine social, emotional, and cognitive development with moral development and political awareness. In doing so, the opera underlines the importance of having a sense of meaning. Hildegarde, like the other denizens of Bubbleland, has a purpose. In the case of gifted learners, the purpose may manifest in a more extreme way than the normative, but purpose is the beginning, end, and in-between of supporting any learner. Just One More Thing… While I understand the purpose of having the brilliant François Clemens in the opera, I don’t see why he had to wear that horrible porpoise costume. I don’t understand the purpose of the porpoise. But then again, I’m not the one who needs to. The porpoise determines his own purpose. References Geake, J. G., & Gross, M. U. (2008). Teachers’ negative affect toward academically gifted students. Gifted Child Quarterly, 52(3), 217–231. https://doi.org/10.1177/0016986208319704 Rogers, F. (1980, May 23). Making an Opera; Windstorm in Bubbleland. Mr. Rogers’ Neighborhood. Season 10. Episode 15. Pittsburgh, PA; WQED. Way Home Studio Image by wayhomestudio on Freepik The body content of your post goes here. 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